History of the Black Boy

The original, seventeenth-century Black Boy stood nearer the corner of Barton Lane and Old High Street than the present one (see above postcard dating from the 1930s). It had a large backyard (now occupied by the present pub) and also a large garden (now owned by the Priory) where fêtes were held. The board above the door showed a black boy-servant, a sign commonly hung outside coffee houses in the seventeenth century. The famous elm tree that used to stand on this corner had already been removed at the time this photograph was taken.
The present Black Boy at 91 Old High Street (below) was built in 1937.

Former pub
The old pub was already on this site in 1667 and may well be the inn known as "Old Mother Gurden’s" that was frequented by Anthony Wood in the late seventeenth century. It may also be the inn kept by Mother Shepherd that is depicted in the play about Joan of Heddington as being a rival to the White Hart in 1712.
It is specifically named as the Black Boy in the Headington Enclosure Award of 1805. Its gross estimated rental was then £13, and its rateable value £18.
In 1847 Charles Jeffcoat was reprimanded at the Court of the Manor of Heddington for lopping the elm tree that stood next to the old stocks outside the Black Boy, and the Headington Rate-Book of December 1850 shows that he was then the owner of the pub, but that it was occupied by Mark Powell.
The landlords in the nineteenth century were only part-time beer retailers: for instance in directories William Powell is described as " 'Black Boy', & brickburner" in 1847; James Honey as "coal merchant and victualler 'Black Boy' " in 1876; and William Somerville as "Black Boy P.H. & wheelwright" in 1898.
In 1907 Headington Baptist Church held a mission with many special meetings both inside and outside the church. It was so successful that Mrs Carter, then the landlady of the Black Boy, complained to the Sergeant of Police that it was affecting her livelihood.


These two OS maps show how far the Black Boy has moved back from the road
Left: The old Black Boy in 1921
Right: The present Black Boy in 1939
Present pub
In 1937 the present pub was built in the backyard of the old pub, and then the seventeenth-century building in front was demolished in order to widen Old High Street. The new pub was given the same number as the old one (55 High Street, Old Headington; the address has now been changed to 91 Old High Street).
The rebuilt pub used to have a sculpted figure of a black servant in the niche above the entrance, but this was smashed in 1990 and was replaced by the painting of a chimney-sweep’s boy shown below, which is (arguably) more politically correct. Even so, in 1997 there was an unsuccessful attempt by Oxford students to get the pub’s name changed on the grounds that it was offensive.

In 2007 the pub was refurbished as a Greene King "Mustard" pub mainly catering for people wanting food.
Some landlords of the Black Boy
| Old Black Boy | 1810 |
Mr Moore |
|
1817–1826 |
William Jeffcoat (described as a publican in St Andrew’s baptismal registers during this period). Jackson's Oxford Journal of 18 January 1823 announces that the sale of Headington Windmill will take place "at Mr Jeffcoat's, the Sign of the Black Boy, in Headington" |
|
After 1826 |
Charles Jeffcoat, son of William. |
|
By 1836–1866 |
William Powell (by 1836–1848) Mrs Ann Powell (1848–1851) Matthew/Mark Powell (1852–1854) John Powell (By 1861–1866) |
|
|
1867–1869 |
George Taylor |
|
|
1870–1881 |
James Honey (1870–1876) Mrs Ann Honey (1877–1881) |
|
|
1883–1901 |
William Dawson Somerville |
|
|
1902–1907 |
William Carter (1902–1904) Mrs A. Carter (1906–1907) |
|
|
1909–1912 |
George Thomas Edney |
|
|
1913 |
J.H. Kirk |
|
|
1915–1916 |
Joseph Lindley Bond |
|
|
1921 |
William Grimsley |
|
|
1922–1930 |
Reginald Dickenson (1922–1927) |
|
|
1932–1936 |
Henry Badcock |
|
| Present Black Boy |
1937–1964 |
Archibald J. Bolt (Mrs E.I. Bolt from 1962) |
|
1967–1976 |
Reginald A. Newman |
The Black Boy was a Morrell’s pub; it was taken over by Greene King;
and it now part of the Mustard Group

Above: The Black Boy, viewed from the tower of St Andrew’s Church